Edie Ciao Baby - Musique
Edie Ciao Baby by The Cult
The Cult
Biographie de l'artiste pour The Cult
Formé Initialement En 1981 Par Son Chanteur Ian Astbury Sous Le Nom De "Southern Death Cult" Lequel Sortit Plusieurs Singles Puis Sous L'appellation De "Death Cult" Avec L'adjonction Du Guitariste Billy Duffy Ex Theatre Of Hate . Évoluant Un Temps Dans Une Mouvance Gothique La Formation Se Forgea Une Nouvelle Identité Autour De Ses Deux Leaders Naturels Astbury Et Duffy Qui Alliaient Des Qualités Musicales Et Un Look Supérieurs À La Moyenne Leur Permettant De Se Détacher Du Lot Des Nombreux Groupes Évoluant Sur Les Scènes Londoniennes. Elle Adopta En 1983 L'appellation Épurée De "The Cult" Moins Morbide Et Plus Fédératrice. Le Premier Album Dreamtime 1984 Comportait Une Influence New Wave Encore Dominante Et Put Être Perçu Comme Un Disque Transitoire. Dans Love 1985 S'effectue La Mue En Rock Psychédélique Avec Des Riffs Plus Marqués Et Des Solos Plus Présents Qui Servent Des Compositions Solides Non Dénuées De Mélodies Tels Les Morceaux Nirvana Phoenix She Sells Sanctuary Brother Wolf Sister Moon. L'apparence Des Musiciens Est Alors Assez Hybride Chemises À Jabots Ou Psychédéliques Coupe Punk Pour Duffy Cheveux Longs Avec Tresses Pour Astbury Bijoux À Sautoirs Breloques Et Insignes Divers Pour Tous Les Clips Faisant Quant À Eux La Part Belle Au Revival Psychédélique. L'album Suivant Qui Aurait Du S'appeler Peace Est Enregistré Aux Studios Manor Par Steve Brown Et S'inscrit Par Ses Arrangements Dans La Lignée De Love. Toutefois À L'écoute Des Bandes Le Producteur Rick Rubin Recommande Une Autre Optique Plus Hard Rock Avec Des Rythmiques Plus Lourdes Et Carrées Et Obtient Le Principe D'un Ré-Enregistrement Intégral Réf. Nécessaire . Ces Nouvelles Bandes Conduiront À La Parution De L'album Electric 1987 Qui Fait Entrer The Cult Dans Le Panthéon Des Groupes Hard Rock 5 Avec Des Morceaux Comme Wild Flower Lil'Devil Et Love Removal Machine Celles Enregistrées Aux Studios Manor Présentant Des Versions Plus Fluides Paraissant Dans Des Éditions Spéciales Sous Le Nom De Manor Sessions. Bob Rock Produira Le Disque Suivant Sonic Temple 1989 Dans Lequel La Transformation En Groupe Hard Rock Se Poursuit Billy Duffy Endossant Le Rôle Du « Guitar Hero » Cheveux Blonds Tombant Sur Les Yeux Vêtu De Cuir Et La Gibson En Avant Tandis Que Astbury Développe Celui Du Chanteur Charismatique. L'album Permet Au Groupe De Conquérir Les États-Unis Et De Poursuivre Avec Un Album Ceremony 1991 Plus Apaisé Faisant Apparaître Des Influences Proches De The Doors Tant Sur Le Plan Musical Que Sur Les Thématiques Les Indiens Et Le Chamanisme . A L'occasion Astbury Profite De Son Audience Pour Jammer Avec De Nombreux Groupes Dont Les Psychédéliques Garage De The Fuzztones Avec Lesquels Il Fait Plusieurs Concerts. De Ces Prestations La Reprise Live De Down On The Streets The Stooges Est Gravée Sur Un Maxi 1990 Puis Quelques Années Plus Tard Les Images Paraîssent Sur Un DVD LSD 25 De The Fuzztones 2005 . Alors Qu'autour De Duffy Et Astbury La Formation Change Régulièrement Le Duo Poursuit Sa Carrière Avec Un Single Produit De Nouveau Par Rick Rubin The Witch Qui Sera Intégré Dans La Compilation Pure Cult 1993 Puis Avec Un Album Réalisé Par Bob Rock The Cult 1994 . En 1995 Ian Astbury Part Former The Holy Barbarians Mettant Temporairement Fin À Son Association Avec Billy Duffy. En 1999 Duffy Et Astbury Soutenus Par Le Batteur Matt Sorum Reforment The Cult Participent À La Bande Originale Du Film 60 Secondes Chrono Et Enregistrent Pour La Compilation Stoned Immaculate The Music Of The Doors 2000 La Reprise Wild Child Tandis Que Sur Cette Même Compilation Ian Astbury Prête Sa Voix Aux Musiciens Des Doors Pour Le Seul Morceau Touch Me Démontrant Aux Membres Originaux Sa Capacité À Compenser L'absence De Jim Morrison. Bob Rock Produit L'album Beyond Good And Evil 2001 Qui Marque Le Retour De The Cult. La Tournée Qui Suivit Cette Parution Fit L'objet D'un DVD Live Cult Music Without Fear 2002 . A Partir De 2003 La Carrière De The Cult Est De Nouveau Mise Entre Parenthèses Astbury Acceptant De Participer Au Projet De Reformation De The Doors Avec Robbie Krieger Et Ray Manzarek Sous Les Appellations Successives The Doors Of 21th Century Puis Riders Of The Storm. Le Même Ian Astbury Apparaîtra Parmi Les Invités De La Reformation Des MC5 En 2003 Sur Le DVD Sonic Revolution Celebration Of MC5. Le Groupe Est Signé Le 29 Mai 2007 Sur Le Label Roadrunner Records Et Enregistre Born Into This Qui Sort En Octobre 2007. Le Single Dirty Little Rock Star Sort Quant À Lui Le 13 Aout 2007. Ils Font Une Tournée Européenne En Juin 2007 Et Se Produisent À Plusieurs Reprises En Première Partie Des Who.
Frogtoon Musique - Informations sur la chanson: Edie (Ciao Baby)
The-Cult - Sonic Temple
Tribute To Warhol Actress Edie Sedgwick Following Her Departure From Warhol's Circle Sedgwick Began Living At The Chelsea Hotel Where She Became Close To Bob Dylan. Dylan's Friends Eventually Convinced Sedgwick To Sign Up With Albert Grossman Dylan's Manager. Sedgwick And Dylan's Relationship Ended When Sedgwick Found Out That Dylan Had Married Sara Lownds In A Secret Ceremony – Something That She Apparently Found Out From Warhol During An Argument At The Gingerman Restaurant In February 1966. According To Paul Morrissey Sedgwick Had Said "'They're Dylan's People Going To Make A Film And I'm Supposed To Star In It With Bobby Dylan .' Suddenly It Was Bobby This And Bobby That And They Realized That She Had A Crush On Him. They Thought He'd Been Leading Her On Because Just That Day Andy Had Heard In His Lawyer's Office That Dylan Had Been Secretly Married For A Few Months - He Married Sara Lownds In November 1965... Andy Couldn't Resist Asking 'Did You Know Edie That Bob Dylan Has Gotten Married?' She Was Trembling. They Realized That She Really Thought Of Herself As Entering A Relationship With Dylan That Maybe He Hadn't Been Truthful." Several Weeks Before The December 29 2006 One-Week Release Of The Controversial Film Factory Girl Described By The Village Voice Review As "Edie For Dummies." The Weinstein Company And The Film's Producers Interviewed Sedgwick's Older Brother Jonathan Who Asserted That She Had "had An Abortion Of The Child She Was Supposedly Carrying By Dylan." Jonathan Sedgwick A Retired Airplane Designer Was Flown In From Idaho To New York City By The Distributor To Meet Sienna Miller Who Was Playing His Late Sister As Well As To Give An Eight-Hour Video Interview With Details About The Purported Liaison Between Edie And Dylan Which The Distributor Promptly Released To The News Media. Jonathan Claims An Abortion Took Place Soon After "Edie Was Badly Hurt In A Motorcycle Crash And Sent To An Emergency Unit. As A Result Of The Accident Doctors Consigned Her To A Mental Hospital Where She Was Treated For Drug Addiction." No Hospital Records Or Sedgwick Family Records Exist To Support This Story. Nonetheless Edie's Brother Also Claimed "Staff Found She Was Pregnant But Fearing The Baby Had Been Damaged By Her Drug Use And Anorexia Forced Her To Have The Abortion." However According To Edie Sedgwick's Personal Medical Records And Oral Life-History Tape Recorded Less Than A Year Before Her Death For Her Final Film Ciao! Manhattan There Is Credible Evidence That The Only Abortion She Underwent In Her Lifetime Was At Age 20 In 1963. Throughout Most Of 1966 Sedgwick Was Involved In An Intensely Private Yet Tumultuous Relationship Not With Bob Dylan But With Dylan's Closest Friend Bob Neuwirth. During This Period She Became Increasingly Dependent On Barbiturates. Although She Experimented With Illegal Substances Including Opiates There Is No Evidence That Sedgwick Ever Became A Heroin Addict. In Early 1967 Neuwirth Unable To Cope With Sedgwick's Drug Abuse And Erratic Behavior Broke Off Their Relationship. When Sedgwick Married Post In July 1971 She Reportedly Stopped Drinking And Abusing Drugs. Her Sobriety Lasted Until October When Pain Medication Was Given To Her To Treat A Physical Illness. She Remained Under The Care Of Dr. Wells Who Prescribed Her Barbiturates But She Would Demand More Pills Or Say She Had Lost Them In Order To Get More. Sedgwick Often Combined The Medications With Alcohol. On The Night Of November 15 1971 Sedgwick Went To A Fashion Show At The Santa Barbara Museum A Segment Of Which Was Filmed For The Television Show An American Family. After The Fashion Show She Attended A Party And Was Supposedly Attacked By A Drunken Guest Who Called Her A Heroin Addict. Sedgwick Phoned Post Who Arrived At The Party And Seeing That She Was Disturbed By The Accusations Took Her Back To Their Apartment Around One In The Morning. According To John Pierce In Edie — An American Biography She Came On To Him At The Party And Complained About Her Marriage To Post. On The Way Home Sedgwick Expressed Thoughts Of Uncertainty About Their Marriage. Before They Both Fell Asleep Post Gave Sedgwick The Medication That Had Been Prescribed For Her. According To Post Sedgwick Started To Fall Asleep Very Quickly And Her Breathing Was "bad – It Sounded Like There Was A Big Hole In Her Lungs " But He Attributed That To Her Heavy Smoking Habit And Went To Sleep. When Post Awoke The Following Morning Edie Sedgwick Was Dead. The Coroner Ruled Sedgwick's Death As "undetermined/accident/suicide." The Time Of Death Was Estimated To Be 9 20 A.M. The Death Certificate Claims The Immediate Cause Was "probable Acute Barbiturate Intoxication" Due To Ethanol Intoxication. Sedgwick's Alcohol Level Was Registered At 0.17% And Her Barbiturate Level Was 0.48 Mg%. She Was 28. Sedgwick Was Buried In The Small Oak Hill Cemetery In Ballard California In A Simple Grave. Her Epitaph Reads "Edith Sedgwick Post - Wife Of Michael Brett Post 1943-1971." The Family Attended Her Memorial Service.
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Biography - The Cult
Formé Initialement En 1981 Par Son Chanteur Ian Astbury Sous Le Nom De "Southern Death Cult" Lequel Sortit Plusieurs Singles Puis Sous L'appellation De "Death Cult" Avec L'adjonction Du Guitariste Billy Duffy Ex Theatre Of Hate . Évoluant Un Temps Dans Une Mouvance Gothique La Formation Se Forgea Une Nouvelle Identité Autour De Ses Deux Leaders Naturels Astbury Et Duffy Qui Alliaient Des Qualités Musicales Et Un Look Supérieurs À La Moyenne Leur Permettant De Se Détacher Du Lot Des Nombreux Groupes Évoluant Sur Les Scènes Londoniennes. Elle Adopta En 1983 L'appellation Épurée De "The Cult" Moins Morbide Et Plus Fédératrice. Le Premier Album Dreamtime 1984 Comportait Une Influence New Wave Encore Dominante Et Put Être Perçu Comme Un Disque Transitoire. Dans Love 1985 S'effectue La Mue En Rock Psychédélique Avec Des Riffs Plus Marqués Et Des Solos Plus Présents Qui Servent Des Compositions Solides Non Dénuées De Mélodies Tels Les Morceaux Nirvana Phoenix She Sells Sanctuary Brother Wolf Sister Moon. L'apparence Des Musiciens Est Alors Assez Hybride Chemises À Jabots Ou Psychédéliques Coupe Punk Pour Duffy Cheveux Longs Avec Tresses Pour Astbury Bijoux À Sautoirs Breloques Et Insignes Divers Pour Tous Les Clips Faisant Quant À Eux La Part Belle Au Revival Psychédélique. L'album Suivant Qui Aurait Du S'appeler Peace Est Enregistré Aux Studios Manor Par Steve Brown Et S'inscrit Par Ses Arrangements Dans La Lignée De Love. Toutefois À L'écoute Des Bandes Le Producteur Rick Rubin Recommande Une Autre Optique Plus Hard Rock Avec Des Rythmiques Plus Lourdes Et Carrées Et Obtient Le Principe D'un Ré-Enregistrement Intégral Réf. Nécessaire . Ces Nouvelles Bandes Conduiront À La Parution De L'album Electric 1987 Qui Fait Entrer The Cult Dans Le Panthéon Des Groupes Hard Rock 5 Avec Des Morceaux Comme Wild Flower Lil'Devil Et Love Removal Machine Celles Enregistrées Aux Studios Manor Présentant Des Versions Plus Fluides Paraissant Dans Des Éditions Spéciales Sous Le Nom De Manor Sessions. Bob Rock Produira Le Disque Suivant Sonic Temple 1989 Dans Lequel La Transformation En Groupe Hard Rock Se Poursuit Billy Duffy Endossant Le Rôle Du « Guitar Hero » Cheveux Blonds Tombant Sur Les Yeux Vêtu De Cuir Et La Gibson En Avant Tandis Que Astbury Développe Celui Du Chanteur Charismatique. L'album Permet Au Groupe De Conquérir Les États-Unis Et De Poursuivre Avec Un Album Ceremony 1991 Plus Apaisé Faisant Apparaître Des Influences Proches De The Doors Tant Sur Le Plan Musical Que Sur Les Thématiques Les Indiens Et Le Chamanisme . A L'occasion Astbury Profite De Son Audience Pour Jammer Avec De Nombreux Groupes Dont Les Psychédéliques Garage De The Fuzztones Avec Lesquels Il Fait Plusieurs Concerts. De Ces Prestations La Reprise Live De Down On The Streets The Stooges Est Gravée Sur Un Maxi 1990 Puis Quelques Années Plus Tard Les Images Paraîssent Sur Un DVD LSD 25 De The Fuzztones 2005 . Alors Qu'autour De Duffy Et Astbury La Formation Change Régulièrement Le Duo Poursuit Sa Carrière Avec Un Single Produit De Nouveau Par Rick Rubin The Witch Qui Sera Intégré Dans La Compilation Pure Cult 1993 Puis Avec Un Album Réalisé Par Bob Rock The Cult 1994 . En 1995 Ian Astbury Part Former The Holy Barbarians Mettant Temporairement Fin À Son Association Avec Billy Duffy. En 1999 Duffy Et Astbury Soutenus Par Le Batteur Matt Sorum Reforment The Cult Participent À La Bande Originale Du Film 60 Secondes Chrono Et Enregistrent Pour La Compilation Stoned Immaculate The Music Of The Doors 2000 La Reprise Wild Child Tandis Que Sur Cette Même Compilation Ian Astbury Prête Sa Voix Aux Musiciens Des Doors Pour Le Seul Morceau Touch Me Démontrant Aux Membres Originaux Sa Capacité À Compenser L'absence De Jim Morrison. Bob Rock Produit L'album Beyond Good And Evil 2001 Qui Marque Le Retour De The Cult. La Tournée Qui Suivit Cette Parution Fit L'objet D'un DVD Live Cult Music Without Fear 2002 . A Partir De 2003 La Carrière De The Cult Est De Nouveau Mise Entre Parenthèses Astbury Acceptant De Participer Au Projet De Reformation De The Doors Avec Robbie Krieger Et Ray Manzarek Sous Les Appellations Successives The Doors Of 21th Century Puis Riders Of The Storm. Le Même Ian Astbury Apparaîtra Parmi Les Invités De La Reformation Des MC5 En 2003 Sur Le DVD Sonic Revolution Celebration Of MC5. Le Groupe Est Signé Le 29 Mai 2007 Sur Le Label Roadrunner Records Et Enregistre Born Into This Qui Sort En Octobre 2007. Le Single Dirty Little Rock Star Sort Quant À Lui Le 13 Aout 2007. Ils Font Une Tournée Européenne En Juin 2007 Et Se Produisent À Plusieurs Reprises En Première Partie Des Who.
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The Mission The Southern Death Cult Death Cult Fields Of The Nephilim The Sisters Of Mercy Van Halen Simple Minds New Model Army Gene Loves Jezebel Tesla David Lee Roth Def Leppard Ratt INXS Skid Row Whitesnake.
Tribute to Warhol actress Edie Sedgwick
Following her departure from Warhol's circle, Sedgwick began living at the Chelsea Hotel, where she became close to Bob Dylan. Dylan's friends eventually convinced Sedgwick to sign up with Albert Grossman, Dylan's manager. Sedgwick and Dylan's relationship ended when Sedgwick found out that Dylan had married Sara Lownds in a secret ceremony – something that she apparently found out from Warhol during an argument at the Gingerman Restaurant in February 1966.
According to Paul Morrissey, Sedgwick had said: "'They're [Dylan's people] going to make a film and I'm supposed to star in it with Bobby [Dylan].' Suddenly it was Bobby this and Bobby that, and they realized that she had a crush on him. They thought he'd been leading her on, because just that day Andy had heard in his lawyer's office that Dylan had been secretly married for a few months - he married Sara Lownds in November 1965... Andy couldn't resist asking, 'Did you know, Edie, that Bob Dylan has gotten married?' She was trembling. They realized that she really thought of herself as entering a relationship with Dylan, that maybe he hadn't been truthful."
Several weeks before the December 29, 2006 one-week release of the controversial film Factory Girl, described by The Village Voice review as "Edie for Dummies." The Weinstein Company and the film's producers interviewed Sedgwick's older brother, Jonathan, who asserted that she had "had an abortion of the child she was (supposedly) carrying by Dylan." Jonathan Sedgwick, a retired airplane designer, was flown in from Idaho to New York City by the distributor to meet Sienna Miller, who was playing his late sister, as well as to give an eight-hour video interview with details about the purported liaison between Edie and Dylan, which the distributor promptly released to the news media. Jonathan claims an abortion took place soon after "Edie was badly hurt in a motorcycle crash and sent to an emergency unit. As a result of the accident, doctors consigned her to a mental hospital where she was treated for drug addiction." No hospital records or Sedgwick family records exist to support this story. Nonetheless, Edie's brother also claimed "Staff found she was pregnant but, fearing the baby had been damaged by her drug use and anorexia, forced her to have the abortion." However, according to Edie Sedgwick's personal medical records and oral life-history tape recorded less than a year before her death for her final film, Ciao! Manhattan, there is credible evidence that the only abortion she underwent in her lifetime was at age 20 in 1963.
Throughout most of 1966, Sedgwick was involved in an intensely private yet tumultuous relationship not with Bob Dylan, but with Dylan's closest friend, Bob Neuwirth. During this period, she became increasingly dependent on barbiturates. Although she experimented with illegal substances including opiates, there is no evidence that Sedgwick ever became a heroin addict. In early 1967, Neuwirth, unable to cope with Sedgwick's drug abuse and erratic behavior, broke off their relationship.
When Sedgwick married Post in July 1971, she reportedly stopped drinking and abusing drugs. Her sobriety lasted until October, when pain medication was given to her to treat a physical illness. She remained under the care of Dr. Wells, who prescribed her barbiturates, but she would demand more pills or say she had lost them in order to get more. Sedgwick often combined the medications with alcohol.
On the night of November 15, 1971, Sedgwick went to a fashion show at the Santa Barbara Museum, a segment of which was filmed for the television show An American Family. After the fashion show, she attended a party and was supposedly attacked by a drunken guest who called her a heroin addict. Sedgwick phoned Post, who arrived at the party and, seeing that she was disturbed by the accusations, took her back to their apartment around one in the morning. According to John Pierce in Edie — an American Biography, she came on to him at the party and complained about her marriage to Post. On the way home, Sedgwick expressed thoughts of uncertainty about their marriage. Before they both fell asleep, Post gave Sedgwick the medication that had been prescribed for her. According to Post, Sedgwick started to fall asleep very quickly, and her breathing was, "bad – it sounded like there was a big hole in her lungs," but he attributed that to her heavy smoking habit and went to sleep.
When Post awoke the following morning, Edie Sedgwick was dead. The coroner ruled Sedgwick's death as "undetermined/accident/suicide." The time of death was estimated to be 9:20 A.M. The death certificate claims the immediate cause was "probable acute barbiturate intoxication" due to ethanol intoxication. Sedgwick's alcohol level was registered at 0.17% and her barbiturate level was 0.48 mg%. She was 28.
Sedgwick was buried in the small Oak Hill Cemetery in Ballard, California in a simple grave. Her epitaph reads "Edith Sedgwick Post - Wife Of Michael Brett Post 1943-1971." The family attended her memorial service.
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